News
Forthcoming group exhibitions 2010:
'THE MORE I DRAW' ("Je Mehr ich Zeichne - Zeichnung als Weltenwurf")
Museum für Gegenwartskunst
5 September 2010 - 13 February 2011
Unteres Schloss 1 D-57072 Siegen, Germany
+49 (0)271 4057711
www.mgk-siegen.de
'UNEARTHED'
Sainsbury Centre For Visual Arts
University of East Anglia
22 June 2010 - 29 August 2010
Norwich NR4 7TJ
Exhibition curated by SCVA and Professor Douglass Bailey (San Francisco State University), featuring Stone Age figurines from Europe and Jomon figures from Japan, along with contemporary artworks.
Projects:
A group of large-scale permanent wall drawings is proposed for the new UK Embassy building, currently under construction in Tbilisi, Georgia.
The work will be carried out in 2010-11 in the atrium and staircase, and the building is by architect Michael Wilford.
www.wilfordschupp.de
Commissioned artwork for Global Eye, a new art collection addressing the dialogue between artists and scientists.
www.global-eye-art.com
New catalogues available during 2009-10:
'THE MORE I DRAW' ('Je Mehr ich Zeichne - Zeichnung als Weltenwurf')
Published by Museum für Gegenwartskunst Seigen 2010.
Including works by Joseph Beuys, Silvia Bachli, Frederic Bruly Brouabre, Stanley Brouwn, Jimmie Durham, Tracey Emin, Joseph Grigely, Mark Lammert, Constantin Luser, Pavel Pepperstein, Dan Perjovschi, Raymond Pettibon, Chloe Piene, Peter Radelfinger, Alexander Roob, Dasha Shishkin, David Shrigley, Katrin Strobel, Cy Twombly, Jorinde Vioght, Ralf Zeirvogel, and many others.
'THE PRESENCE OF THE LINE. A SELECTION OF RECENT ACQUISITIONS FROM THE 20TH AND 21ST CENTURIES'. 19.03.2009 - 21.06.2009
Pinakothek Der Moderne, Munich.
Press release: 'This exhibition is to be seen as a follow-up to the jubilee show, held at the Staatliche Graphische Sammlung on the occasion of its 250th anniversary
that has recently finished. Works, which were not included in the jubilee show for conceptual reasons, by some hundred artists from the most varied of backgrounds and ages, are shown together in this exhibition. The line, that dominant means of expression since the early days of drawing, can be seen in all its various forms. This juxtapositions of works does not aim at any strict classification into art-historical categories; instead, like a florilegium of individual sheets by well and lesser known artists taken from a much larger pool, unexpected correlations can be discovered, a playfully open and not seldom coincidental dialogue emerges that calls on the viewer's creative phantasy and emphasizes the importance of the line in drawing for the younger generation of artists, too.
A catalogue will be available (edited by Michael Semff and Andreas Strobl, assisted by Frédéric Bußmann) in which all works exhibited are illustrated, with an introduction by Michael Semff and biographies of the artists included in an appendix.'
Including works by Artschwager, Beuys, Boetti, Darboven, Dunham, Guston, Hinsberg, Kelly, Kippenberger, Kirkeby, Lasker, Lewitt, Le Va, Marden, Matisse, Morandi, Oehlen, Richter, Sandback, Schutte, Stella, Taylor, and Winters.
www.pinakothek.de/pinakothek-der-moderne/englisch/englisch.htm
'IN BETWEEN THE LINES: RECENT BRITISH DRAWINGS'. 25.06.09 - 10.07.09
KATE ATKIN, SIÂN BOWEN, JAMES BROOKS, DON BROWN, ANNIE CATTRELL, LAYLA CURTIS, ADAM DANT, JANE DIXON, TRACEY EMIN, ANGUS FAIRHURST, PAUL FREUD, JOANNA GREENHILL, OONA GRIMES, GRAHAM GUSSIN, JULIET HAYSOM, TIM HEAD, CLAUDE HEATH, LOUISE HOPKINS, DEAN HUGHES, GARY HUME, MICHAEL LANDY, EMMA McNALLY, DAVID MUSGRAVE, PETER PERI, KATHY PRENDERGAST, FRANCES RICHARDSON, GEORGE SHAW, JAMIE SHOVLIN, RICHARD TALBOT, GAVIN TURK, ALISON TURNBULL, ALISON WILDING, SARAH WOODFINE, SIMON WOOLHAM.
Trinity Contemporary, 29 Bruton Street, London W1J 6QP.
curated by Jeremy Cooper
Illustrated catalogue with essay by Catherine Lampert.
T : 020 74934916
'SCULPTURE AND TOUCH COLLECTION'
The Courtauld Institute of Art, London
Publication to accompany the 'Sculpture and Touch' conference at the Institute in 2009, and the associated exhibition. Illustrated, with essays by Francesca Bacci and Peter Dent, and other contributors.